Links to my Books

Links to My Writings

Meditations on Maintenance for the Kindle
Memoirs of a Super Criminal for the Kindle, Nook
One Year in the Mountains for the Kindle, Nook
Adventures of Erkulys & Uryon for the Kindle and Nook


Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Sunday, July 26, 2020



Freedom 
40x30, 2019
Available for purchase

Details from Freedom. 

Freedom is a ready to hang oil painting exploring spiritual freedom. Here we are bursting out of the religious chains which hold us back and prevent us from soaring into the heavens. Spiritual but not religious means that we are not bound by dogma or tradition but free to explore beyond the confines of "religion" and find something new, something freeing, something deeply meaningful. We may find that in the depths of dogma or tradition, not because someone told us to, but because that is where our heart met spirit.







Wednesday, July 8, 2020

Aspens in the Dark, Acrylic on canvas



Aspens in the Dark, Acrylic on Canvas 18x24, not available

Trees have always held symbolic power for me. While painting the series "Through the Leaves" I wanted to explore the many different ways trees effect us. Through the acrylic pour techniques I used I was able to capture the full range from spring budding and blooming to the autumn changing of colors. This painting is Aspens in the Dark. 

 Aspens remind me of the mountains, especially the mountains of Idaho where I spent many years. In the summer the cool breeze would make the Aspen leaves "quake" gently. The flipping from light green to dark green and back again as each side of the leaf would flash in the light was always very calming. 

But Aspens in the fall where pure delight. Those dashes of yellows and oranges mixed in a hillside of every green pines. They would glow in the early morning dawn and look like tongues of fire on the mountain side with the setting of the sun. 


Thursday, March 13, 2014

New Art

Here is an image of one of my recent drawing. I have been working more in pencil and crayon, exploring abstracts.

Tuesday, February 25, 2014

Spring Art Show

Here is a drawing I have done for my next art show. The show is in April so I am keeping with a spring theme. It has been refreshing to work on a number of these "spring" drawing in the gloom of winter.

Saturday, March 17, 2012

Red With Delight


The tomato festival was a big hit with the local towns people. Of course they had never seen a tomato before, they had not even seen anything red before and to eat it was a pure satanic delight. For this was the land of the righteous and anything and everything that could be in some way related to the devil was strictly outlawed and abandoned centuries ago, including all shades of the color red. In fact the color wheels in High School art class had only two primaries and one secondary color, the color brown was nearly impossible to duplicate in the class, and orange and purple were relegate to nature alone. (In fact this lead to many disputes in later centuries about the exact nature of brown and some went so far as to hypothesizes a third primary that made orange and purple the two additional secondary colors which were often seen in nature but not in art. This line of reasoning then lead to an ironic twist, because those theorist were often burnt at the stake and as the red and orange flames rose up their feet it all began to make sense, this was one of the few times where fire (and red) were seen as a tool of righteousness and not one of the devil.)

But then one day a traveling sales man, with a surplus of tomatoes to move before they rotted in the trucks and docks of the co-op for which he worked, entered the town. He was a forward thinking and very modern type of man. The girls swooned at the sight of his black bolo hat. Women wanted him and men wanted to be him. He was slicker then a duck in a rain storm and all that other jazz which made him real cool. He could talk a good game and with the Bible in one hand and a plump tomato in another he was able to convince the great, great, great, great decedents of those original pietists that the tomato, although red, was still a creation by God and ordained as good, was great to eat and excellent to have with pasta (which had been rather stale of taste over the last few centuries). It brought much need vitamins and topped out a bacon and lettuce sandwich very well. 

The town nearly rioted because of the color red, some agreed with the salesman and wanted the tomatoes to pour into the town. Other, more zealous of tradition and right thinking and all that, people refused and wanted to run the man out of town. The frosting on the cake was the fact that a tomato began as green and turned yellow and then red by the rays of the sun. Here was the symbolic making of a theological shift. The trinity of colors of blue and yellow making green combined with the sun, the son, the light, the warmth of the heavens poured out to create this jewel. But others saw a different symbol, a crafty snake offering a tempting but forbidden fruit. The symbolism, either way, was too much. All wanted to partake. For to err, to fall, is human. It is the nature of the creature, even centuries of right living could not breed out the fact that humanity craved the passion of life, that which was forbidden. Now the full circle was complete: peace, warmth and passion; blue, yellow and red; the trinity was completed and every range of emotion and every shade of color became available to this imagine-less town. Riot was subdued but passion to created, to flourish, to build, to spring forth, was unleashed and the tomato festival captured that very essence. 

Copyright 2012 David Corbet

Saturday, March 10, 2012

New Works, nearly complete.

                                                        Abstract Thirtythree
                                                 Oil and Acrylic on Canvas 14x14
                                                         Abstract Thirtysix
                                                   Acrylic on Canvas 24x36
                                                      Masks
                                                  Acrylic on Canvas 36x48

All Works Copyright 2012 David Corbet

Sunday, March 4, 2012

That is Art


There is art and then there is art, and standing between them is art.
By this I mean there is art that is created by the artist and there is art that is perceived by the audience. And between those two, the created and the perceived, is the piece of artwork. It can stand alone but always takes on meaning through creation and perception. And the meaning may not be the same for the artist and the audience. The work itself may or may not have an inherent meaning. You would have to ask the piece what it meant, and until a piece of art becomes sentient that question will remain a mystery. Certainly an artist may create with an intention and that intention may come across to the audience, they may “get it.” Artist’s aides such at titles, descriptions, biographies and philosophical methodological ponderings can all help the audience to “get it.” But certainly the audience also has the option to ignore all that and find their own meaning in the piece that has nothing to do with the intention of the artist. The meaning is then derived from their own experiences and psychological profile. But if the piece was wrapped up, stored away for a hundred years, all the descriptors lost from memory and then the piece was rediscovered it would still have meaning for those that found it. That is art. 

Saturday, August 22, 2009

Wandering

The following is an excerpt from a document called, "Million Words." It is where I let my mind wander and fingers flow. It is were I practice my art of the wordsmithing. Someday I will write a million words (I am only around a few hundred thousand so far.) And so I share with you a walk down a rabbit trail.

______________
(Written Before 02/15/2008)

I stood staring at my keys, forgetting what I was doing. Move ahead it will all come back to you. Look like you have purpose and keep moving. It does not matter where, just move, decide. Fool those staring at you. Keep acting with purpose. Why do I have my keys out?

Oh yeah going home at the end of the day. But to what home… I am lost in a sea of humanity and cannot find my mind. I am lost, completely alone and all that I put my hand to turns to rubbish. I am lost and alone; I am the existential dilemma incarnate.

I walk to and fro upon the streets and some think I am a beggar, others think I am a directed and confident soul. Some ignore me as I walk by and others are disgusted at my stench. Each breath is putrid rot and I enjoy the taste of the bile in my throat. Will they see my in time to stop?

I put the keys down on the counter as I enter the door. I put the bags of mass produced food like substance on the floor, perhaps the dog will put them away, or shall I? How did I get home? When I turn off my brain, my body can move on automatic and get me through the day. But when I turn it on, all that I see is kaleidoscopically and chaotically churning colors before my mind and I want to jump in and swim in those magical colors, but I fear I will drown. And so I snack every thirty minutes to give my self an excuse to not go insane. “Must wait thirty minutes after eating before you can swim,” is my mantra to sanity.

Why should I hold so dearly to my sanity when it is obvious no one else does?
Why do I have to pretend to be sane when it would be so much easier to be myself?
Ah, liberation of the artist’s soul!!!

Wednesday, February 4, 2009

Art work

If you happen to be in Pocatello ID anytime in February, stop in and check out my art work. It is on display at the Portneuf Brewery which is located on 1st Street.

If you are not in Pocatello or Idaho you can still see my work online at

daav-corbet.fineartamerica.com

Feel free to leave a comment or even buy a print if you are so moved.

Tuesday, December 23, 2008

Selling Art

I sold an art piece the other day. I was glad for the sale, it boosts the ego, right? I might have a showing at the Portneuf Brewery next month, but then my next show is not until May at Walrus and Carpenter. I want to be a selling artist. That is the whole point and goal, but it is a lot harder than it looks. I have to get my name out there (visit my website at Fine Art America, click the link above) and then I have to draw the crowd who likes my work, who has the money to buy (getting harder and harder in this economy) and who has the inclination to purchase an original piece of art work.

But then after the sell I have this momentary let down, like losing a good friend. That piece has been hanging on the wall for so long that it has become part of the natural enviroment of the studio. So I will miss it, but be glad I made the sale. I hope there will be more to come.

Friday, September 19, 2008

The Idea of Art

When the first human picked up a piece of charcoal from the fire pit and began to scratch marks onto the rocks nearby, art was born. And from that moment to this day the idea of art has been debated. What is art? How does art differ from craft, from trade? What meaning should be given to art? Does meaning reside in the artist or the audience? When art becomes utilitarian does it stop being art? As is obvious the questions concerning art can be endless (also boring, unless you are a philosopher or artist). I believe that there are no clear cut answers. I think each artist, each participant, each audience member has to search their own spirits for the answers to the questions concerning the idea of art. But the real shame is that few people really earnestly search their hearts for answers that they hold dear. And this apathy towards deep thinking extends to all aspects of life: politics, religion, culture, music, art, food... (again another possibly endless list). It is much easier for many to find a respected leader to follow, then it is to think their own thoughts, develop convictions and hold to them.

And so what is my deep thought on the idea of art? I think art has meaning when it is made by the artist, that meaning may or may not translate to the audience, but the audience will develop their own meaning. My art is spiritual, although I do not require the audience to view it as such. In my art, I search for something that is "more" or "other" than the physical, the mundane. I would like to think that my art holds many meanings and each time it is viewed (meditated upon) one can walk away with new insights. I like to think of painting a piece as a spiritual exercise. I like to thinking of viewing a piece as a spiritual exercise. I know that may seem like much to grasp for... but I feel the same way about nature around me. My mood and attitude which I bring to the viewing can color (emotionally) a painting more than any descriptions or captions by the artist. I would hope that my art can reach out to others in the same manner. But if it does not I am not disappointed. I think of my art as spiritual expressionism.

Perhaps this is a wandering answer to the question, but it is where I am at this point. As my art grows, as my spiritual life grows I am sure my answer will also mature and grow. That is a part of life and a part of thinking deeply: growth into the next phase of life.

Monday, March 31, 2008

Becoming an Artist

So far in this blog I have not talked too much about my artwork. Art has always been a part of my life. Over the years the time I spent doing art has waxed and waned with my available time, energy, space, etc. Yet in all my life it seems that art has remained a constant. But not until recently did I put it together with the rest of my life and embark on this adventure of being an artist: that is using art as a means of expression for inward and outward searching. I am philosophical and intuitive by nature but even so I have not put a lot of thought into why or how I "do" art. When I sit down to paint or draw, a different part of my being opens up and moves forward. It is hard to describe. At times a certain image will float about in my mind until I can finally sit down and express it on canvas with paints. At other times when I sit before the white canvas or blank page I can see the picture begin to take shape and all I need to do is color it in. As my skills have developed it has become easier to express that which is my head or that which I see on the canvas. But where those thoughts, images, etc. come from remain a mystery. I am not sure if that mystery is something I need to pierce at this time.

There are times where I might break from this expressive art and move to a more intentional art piece. For example, if I want to speak about the environment, a religious theme, capture a moment in time, etc. Then I will sit down to do sketches, work up colors, etc. and then begin the painting. I find those pictures hard to paint. Some of my frustration comes from lack of skill level, some from general frustrations that all artist have about perfection, and some from boredom. But in those moments discipline and perseverance carries the day. It is hard to move forward with a piece that seems to just drag on and on. But I also find that it is in those pieces that I have the most growth in skill development, patience, and reward.

I enjoy reading about art history and theory. I would say that to this date the biggest influence on my thinking and painting has been the German Expressionist, the Bauhaus and Kandinsky in particular, and Schiele, Klimt, (these last two being interesting because I am a landscape painter and they are primarily portrait painters), and Hodler.

Currently I am a bi vocational artist, I have to hold a "real" job to support my habit (my art). But a day I can spend in the studio is a good day. And after a really hard day or week at "work" I really look forward to my art time. It relaxes me, reconnects me and empowers me. Art is a must in my routine, even if just a little at a time (or all that I can get).

Thursday, February 21, 2008

Cultural malaise

I was recently reading the surrealist romance novel, "Nadja." The author of this book was also one of the founders of surrealism (if being found surreal means anything). He wrote the "Surrealist Manifesto." This got me thinking about movements in the arts: Dada, surrealism, modernism, expressionism, impressionism, etc. Some of these movements have their political component as well as their cultural aspects. When I pull an art history book off my bookshelf and flip through it, it is divided up into nice little sections devoted to "movements." Some of these movements come with their own manifestos, some with their own communities (i.e. the Bauhaus) and some are just loose schools of trends.

But as I look around today I don't see too many manifestos being written about the arts, culture, society, etc. Nor do I see schools and communites working in harmony under one direction towards a common goal or understanding. Maybe I am just out of the loop and these things are going strong, but it seems that culture has hit an apathetic stretch. The 20th century has just fragmented the continuum, destroyed the chronological continuity. Or perhaps I am just standing too close in history.

History takes time to reveal that which will be kept and that which will be tossed a side. When we stand close to the moment it is hard to determine how that moment will unfold. Kierkegaard was ignored in his day but a century later impacted the philosophical world greatly. Today it is hard to tell what effects that the modern authors, thinkers, artists will have on tomorrow. Gresham is a prolific writer. Is he who the future will remember as great literature of the 20-21st century? (Is Shakespear great because he survived the ages, or did he survive the ages because he is great)? I mean is Thomas Kinkade and his millions of prints going to define the artistic life of the West for the 24th century art historian? Is that what is becoming of art? The best marketing team gets to write the history? (Not that I want to debate the artistic merit of Kinkade at this point). Maybe that is the way it always has been: wars and the PR teams who champion their causes. Maybe the manifestos and the current schools do exist. They just can't get the big time marketers to back them.

So what does that mean to me (or to you)?
Let us search out the cracks and nooks of life to see who is there doing what. Let us go off the beaten path and into those back alley galleries, those little art school showings, those coffee house colletions. Let us set aside the obvious PR/Marketing of the big time press and turn to the lesser publishing houses. Let us support the local arts, search out the local bookstores for the local authors and musicians and artists. And above all let us learn to create from the heart with purpose, style, and distinction. Maybe you can write the next manifesto about how art and life should relate.

Friday, June 8, 2007

Two Types of Artists

There are really only two types of artists in the world: Museum artists and commercial artists.


A museum artist is the "true" artist, or so they would like to call themselves. They are doing art for the sake of art, for the inspiration, for the cutting edge visual, for the seemingly thought- provoking creations. They are not "sell-outs" and they seldom make it. They are either a starving artist or bi-vocational.

And to the museum artist, the commerical artist shake their heads, walk into their studios and produce works of arts which are sold. They are living by their brushes. They have distinctive styles and modes, and they even may produce, from time to time, those pure expressions of their artistic aims. Seldom do they push the edge, but they get to do what they enjoy the most: their artwork. And they live through it and by it.

The art world needs both. We need the explorers searching for new ways to express, impress and create. We also need the others who take the art into the common homes across the globe. We need the community to be diverse and understanding. Art is not a monolythic idea, but rather a fluid and dynamic, shifting, living and breathing entity.

So what am I? I am an artist. I am not yet good enough to live by my brush alone, so I am bi-vocational (not willing to starve for my art). And as most artists, I have visions of grandure but temper that with a realistic view. I would much rather live by my brush and enjoy my life doing so even if it means I never gain museum fame. I guess I see that I am in this for the long haul, so each day I do what I can and enjoy the time doing it.