Freedom is
a ready to hang oil painting exploring spiritual freedom. Here we are
bursting out of the religious chains which hold us back and prevent us
from soaring into the heavens. Spiritual but not religious means that we
are not bound by dogma or tradition but free to explore beyond the
confines of "religion" and find something new, something
freeing, something deeply meaningful. We may find that in the depths of
dogma or tradition, not because someone told us to, but because that is
where our heart met spirit.
Sunday, July 26, 2020
Wednesday, July 8, 2020
Aspens in the Dark, Acrylic on canvas
Aspens in the Dark, Acrylic on Canvas 18x24, not available
Trees have always held symbolic power for me. While
painting the series "Through the Leaves" I wanted to explore the many
different ways trees effect us. Through the acrylic pour techniques I used I
was able to capture the full range from spring budding and blooming to the
autumn changing of colors. This painting is Aspens in the Dark.
But Aspens in the fall where pure delight. Those dashes of yellows and oranges mixed in a hillside of every green pines. They would glow in the early morning dawn and look like tongues of fire on the mountain side with the setting of the sun.
Thursday, March 13, 2014
New Art
Tuesday, February 25, 2014
Spring Art Show
Saturday, March 17, 2012
Red With Delight
Saturday, March 10, 2012
New Works, nearly complete.
Oil and Acrylic on Canvas 14x14
Abstract Thirtysix
Acrylic on Canvas 24x36
Masks
Acrylic on Canvas 36x48
All Works Copyright 2012 David Corbet
Sunday, March 4, 2012
That is Art
Saturday, August 22, 2009
Wandering
______________
(Written Before 02/15/2008)
I stood staring at my keys, forgetting what I was doing. Move ahead it will all come back to you. Look like you have purpose and keep moving. It does not matter where, just move, decide. Fool those staring at you. Keep acting with purpose. Why do I have my keys out?
Oh yeah going home at the end of the day. But to what home… I am lost in a sea of humanity and cannot find my mind. I am lost, completely alone and all that I put my hand to turns to rubbish. I am lost and alone; I am the existential dilemma incarnate.
I walk to and fro upon the streets and some think I am a beggar, others think I am a directed and confident soul. Some ignore me as I walk by and others are disgusted at my stench. Each breath is putrid rot and I enjoy the taste of the bile in my throat. Will they see my in time to stop?
I put the keys down on the counter as I enter the door. I put the bags of mass produced food like substance on the floor, perhaps the dog will put them away, or shall I? How did I get home? When I turn off my brain, my body can move on automatic and get me through the day. But when I turn it on, all that I see is kaleidoscopically and chaotically churning colors before my mind and I want to jump in and swim in those magical colors, but I fear I will drown. And so I snack every thirty minutes to give my self an excuse to not go insane. “Must wait thirty minutes after eating before you can swim,” is my mantra to sanity.
Why should I hold so dearly to my sanity when it is obvious no one else does?
Why do I have to pretend to be sane when it would be so much easier to be myself?
Ah, liberation of the artist’s soul!!!
Wednesday, February 4, 2009
Art work
If you are not in Pocatello or Idaho you can still see my work online at
daav-corbet.fineartamerica.com
Feel free to leave a comment or even buy a print if you are so moved.
Tuesday, December 23, 2008
Selling Art
But then after the sell I have this momentary let down, like losing a good friend. That piece has been hanging on the wall for so long that it has become part of the natural enviroment of the studio. So I will miss it, but be glad I made the sale. I hope there will be more to come.
Friday, September 19, 2008
The Idea of Art
And so what is my deep thought on the idea of art? I think art has meaning when it is made by the artist, that meaning may or may not translate to the audience, but the audience will develop their own meaning. My art is spiritual, although I do not require the audience to view it as such. In my art, I search for something that is "more" or "other" than the physical, the mundane. I would like to think that my art holds many meanings and each time it is viewed (meditated upon) one can walk away with new insights. I like to think of painting a piece as a spiritual exercise. I like to thinking of viewing a piece as a spiritual exercise. I know that may seem like much to grasp for... but I feel the same way about nature around me. My mood and attitude which I bring to the viewing can color (emotionally) a painting more than any descriptions or captions by the artist. I would hope that my art can reach out to others in the same manner. But if it does not I am not disappointed. I think of my art as spiritual expressionism.
Perhaps this is a wandering answer to the question, but it is where I am at this point. As my art grows, as my spiritual life grows I am sure my answer will also mature and grow. That is a part of life and a part of thinking deeply: growth into the next phase of life.
Monday, March 31, 2008
Becoming an Artist
There are times where I might break from this expressive art and move to a more intentional art piece. For example, if I want to speak about the environment, a religious theme, capture a moment in time, etc. Then I will sit down to do sketches, work up colors, etc. and then begin the painting. I find those pictures hard to paint. Some of my frustration comes from lack of skill level, some from general frustrations that all artist have about perfection, and some from boredom. But in those moments discipline and perseverance carries the day. It is hard to move forward with a piece that seems to just drag on and on. But I also find that it is in those pieces that I have the most growth in skill development, patience, and reward.
I enjoy reading about art history and theory. I would say that to this date the biggest influence on my thinking and painting has been the German Expressionist, the Bauhaus and Kandinsky in particular, and Schiele, Klimt, (these last two being interesting because I am a landscape painter and they are primarily portrait painters), and Hodler.
Currently I am a bi vocational artist, I have to hold a "real" job to support my habit (my art). But a day I can spend in the studio is a good day. And after a really hard day or week at "work" I really look forward to my art time. It relaxes me, reconnects me and empowers me. Art is a must in my routine, even if just a little at a time (or all that I can get).
Thursday, February 21, 2008
Cultural malaise
But as I look around today I don't see too many manifestos being written about the arts, culture, society, etc. Nor do I see schools and communites working in harmony under one direction towards a common goal or understanding. Maybe I am just out of the loop and these things are going strong, but it seems that culture has hit an apathetic stretch. The 20th century has just fragmented the continuum, destroyed the chronological continuity. Or perhaps I am just standing too close in history.
History takes time to reveal that which will be kept and that which will be tossed a side. When we stand close to the moment it is hard to determine how that moment will unfold. Kierkegaard was ignored in his day but a century later impacted the philosophical world greatly. Today it is hard to tell what effects that the modern authors, thinkers, artists will have on tomorrow. Gresham is a prolific writer. Is he who the future will remember as great literature of the 20-21st century? (Is Shakespear great because he survived the ages, or did he survive the ages because he is great)? I mean is Thomas Kinkade and his millions of prints going to define the artistic life of the West for the 24th century art historian? Is that what is becoming of art? The best marketing team gets to write the history? (Not that I want to debate the artistic merit of Kinkade at this point). Maybe that is the way it always has been: wars and the PR teams who champion their causes. Maybe the manifestos and the current schools do exist. They just can't get the big time marketers to back them.
So what does that mean to me (or to you)?
Let us search out the cracks and nooks of life to see who is there doing what. Let us go off the beaten path and into those back alley galleries, those little art school showings, those coffee house colletions. Let us set aside the obvious PR/Marketing of the big time press and turn to the lesser publishing houses. Let us support the local arts, search out the local bookstores for the local authors and musicians and artists. And above all let us learn to create from the heart with purpose, style, and distinction. Maybe you can write the next manifesto about how art and life should relate.
Friday, June 8, 2007
Two Types of Artists
A museum artist is the "true" artist, or so they would like to call themselves. They are doing art for the sake of art, for the inspiration, for the cutting edge visual, for the seemingly thought- provoking creations. They are not "sell-outs" and they seldom make it. They are either a starving artist or bi-vocational.
And to the museum artist, the commerical artist shake their heads, walk into their studios and produce works of arts which are sold. They are living by their brushes. They have distinctive styles and modes, and they even may produce, from time to time, those pure expressions of their artistic aims. Seldom do they push the edge, but they get to do what they enjoy the most: their artwork. And they live through it and by it.
The art world needs both. We need the explorers searching for new ways to express, impress and create. We also need the others who take the art into the common homes across the globe. We need the community to be diverse and understanding. Art is not a monolythic idea, but rather a fluid and dynamic, shifting, living and breathing entity.
So what am I? I am an artist. I am not yet good enough to live by my brush alone, so I am bi-vocational (not willing to starve for my art). And as most artists, I have visions of grandure but temper that with a realistic view. I would much rather live by my brush and enjoy my life doing so even if it means I never gain museum fame. I guess I see that I am in this for the long haul, so each day I do what I can and enjoy the time doing it.